Statement
I turn to texts and ritual practices to challenge the modern idea of nature as a resource and, instead, conceive it as a shelter— a living organism with which we coexist in a relationship of reciprocity and interdependence (Butler).
Experiencing my body as both a refuge and an extension of nature is what drives my work, serving as the guiding thread of my artistic practice. I work with women as protagonists, allowing me to identify with and transform alongside them. I travel to jungle environments to engage in artistic residencies, which I document through still and moving images. Through the documentation of performances, I explore the body’s possibilities in relation to its surroundings, weaving connections between the intimate and the collective, the ancestral and the contemporary. Ritual, myth, and memory permeate my work.
I am drawn to ceramics for its fragility and the transformative power of fire, seeking a dialogue between bodies and the histories they shape—I experience it as a ritual. Weaving with natural elements leads me through a process of personal transformation and deepens my relationship with my environment. Digitally, I manipulate natural, industrial, and ancestral sounds, capturing sonic landscapes to transport the original environment into the exhibition space.
At the same time, I pursue a poetic approach that questions the systemic violence inflicted on feminized bodies and the exploitative relationship we sustain with our habitat.
We are bodies inhabited by nature.
Experiencing my body as both a refuge and an extension of nature is what drives my work, serving as the guiding thread of my artistic practice. I work with women as protagonists, allowing me to identify with and transform alongside them. I travel to jungle environments to engage in artistic residencies, which I document through still and moving images. Through the documentation of performances, I explore the body’s possibilities in relation to its surroundings, weaving connections between the intimate and the collective, the ancestral and the contemporary. Ritual, myth, and memory permeate my work.
I am drawn to ceramics for its fragility and the transformative power of fire, seeking a dialogue between bodies and the histories they shape—I experience it as a ritual. Weaving with natural elements leads me through a process of personal transformation and deepens my relationship with my environment. Digitally, I manipulate natural, industrial, and ancestral sounds, capturing sonic landscapes to transport the original environment into the exhibition space.
At the same time, I pursue a poetic approach that questions the systemic violence inflicted on feminized bodies and the exploitative relationship we sustain with our habitat.
We are bodies inhabited by nature.
Bio
Visual artist born in Castelar, Buenos Aires. She specialized in sculpture and holds a degree in Combined Artistic Languages from the Universidad Nacional de las Artes (UNA), where she currently works as an adjunct professor of sculpture.
She has trained with Rosana Simonassi, Fabiana Barreda, Natalia Forcada, Diana Aisenberg, Estela Izuel, and Lutz Matschke. She is a university researcher at UNA in Expanded Visual Arts and Feminisms and A Look at National and Latin American Thought in Visual Arts. Since 2022, has been the cultural director of Centro Cultural La Tomada.
She participated in the A Isla residency by R.A.R.O. Buenos Aires and was selected for the Cósmica Contemporary Art Festival in Montevideo, Uruguay, 24H Ritmos at the Centro de Arte Sonoro (CASo), and the 6th MACSur Visual Arts Award (2023).
Her work has been exhibited in solo and group exhibitions both nationally and internationally, including the China-Argentina International Exchange Exhibition, Festival Pleamar at Centro Cultural Recoleta, the Museum of Contemporary Art of Santa Cruz, Bolivia, Qorikancha Museum in Cusco, Peru, Manzana de las Luces, 24H Ritmos at CASo, Itinerant Exhibition (Alianza Francesa CABA, Museo Rosa Galisteo in Santa Fe, Museo Graffinia in San Juan), and Festival Enjambre Video Art at 2Museos (Bahía Blanca).
She has trained with Rosana Simonassi, Fabiana Barreda, Natalia Forcada, Diana Aisenberg, Estela Izuel, and Lutz Matschke. She is a university researcher at UNA in Expanded Visual Arts and Feminisms and A Look at National and Latin American Thought in Visual Arts. Since 2022, has been the cultural director of Centro Cultural La Tomada.
She participated in the A Isla residency by R.A.R.O. Buenos Aires and was selected for the Cósmica Contemporary Art Festival in Montevideo, Uruguay, 24H Ritmos at the Centro de Arte Sonoro (CASo), and the 6th MACSur Visual Arts Award (2023).
Her work has been exhibited in solo and group exhibitions both nationally and internationally, including the China-Argentina International Exchange Exhibition, Festival Pleamar at Centro Cultural Recoleta, the Museum of Contemporary Art of Santa Cruz, Bolivia, Qorikancha Museum in Cusco, Peru, Manzana de las Luces, 24H Ritmos at CASo, Itinerant Exhibition (Alianza Francesa CABA, Museo Rosa Galisteo in Santa Fe, Museo Graffinia in San Juan), and Festival Enjambre Video Art at 2Museos (Bahía Blanca).
